The world held its breath as a boy stood in front of a tank in Tianamin Square – an image of peaceful confrontation that can never be erased. Whatever the immediate outcome, that image animates, provokes and provides a template by which Chinese history will be judged into the future.
Martin Luther King in Washington declaring “I have a dream”. Saint Francis of Assisi stripping off in protest in the Cathedral. Nelson Mandela warmly shaking hands with the jailers on his release from Robben Island.
There are many other images that will always confront the human imagination. Creating these images is the work of a prophet. They are images of power exercised by the apparently defeated, images of a liberated human spirit confronting huge, apparently immovable systems. They are images that have confronted and changed human history. Prophets are those men and women who search after truth, and speak that truth whatever the cost.
Here is another image, a humble man who entered his home city on a donkey surrounded by a crowd at a religious festival. Who is arrested by the occupying forces, and condemned by the religious leaders of his day. And who now stands before Pilate, and yet refuses to disclose the power which is at his finger tips.
On this Festival of Christ the King we return to one of the final episodes in the life of Jesus, as we find it reflected upon by the writers of the Gospel of John. We do not know if the dialogue which we have just heard read for us from the Gospel of John was actually remembered by the Early Church or imagined by them much later. But (whichever is the case) the scene is designed to confront us with Jesus’ seeming fearlessness at the hands of human leaders, as he proclaims a Kingdom which is not from this world, but which will effect this world totally and fully.
John’s Gospel gives us three especial glimpses in the final moments of Jesus’ life of what this Kingdom will be like.
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